Established at the end of the 1. While many of its competitors and contemporaries failed to survive subsequent changes to the system, which actually ended up benefiting the UK production arms of major Hollywood studios more than anyone else, Butcher. In the 1. 93. 0s and 1. British regional comedians such as Arthur Lucan (Old Mother Riley 1. The Black Rider – 1954 . One of the most enduring and ubiquitous names to emerge from British. Gallery of 1 movie poster and cover image for The Black Rider (1954). Synopsis: When young reporter and amateur biker Jerry Marsh investigates a mysterious hooded. Find movie and film cast and crew information for The Black Rider (1954) - Wolf Rilla on AllMovie. Find and download new movie torents. All torrents are verified and updated to ensure fast downloads. Elsie and Doris Waters (Gert and Daisy. From the end of the 1. Butcher. Typical of these are Mac. Lean Rogers. Occasionally, their tight budgets would allow them the luxury of importing a fading American star such as Richard Denning (Assignment Redhead 1. Lex Barker (The Man from Tangiers 1. Overview of Black Rider, The, 1954, directed by Wolf Rilla, with at Turner Classic Movies.Some of Butcher. On the surface, the film under review here, Wolf Rilla. One of them dons a monk. He then makes his way inland in the direction of a ruined castle. Meanwhile, at the Brockham Arms pub in Swanhaven, the local drunk George Amble is being shown the door by the landlord. Instead of taking his usual route home, George has decided to take a shortcut home via Brockham Castle. This is despite a good- natured warning from the landlord that it is the night of a full moon when a satanic monk is said to haunt the ruins of the castle. The drunk dismisses the rumours. As he makes his way through the crumbling pile, George is disturbed by sounds of what he belies are a horse galloping nearby. He is then terrified by the sight of what appears to be a spectral monk standing by a fence. He runs off into the night. All other copies of the paper have sold out. Its editor Robert Plack, the father of Mary, the town. He chastises him for such gimmickry and assigns him the more conventional assignment of covering a baby contest in a nearby town. Plack also complains about Marsh. As the editor is distracted by a phone call, Gerry makes a discrete exit. Plack then meets Ted Lintott, the head of the local motorcycle club who hands him an advertisement for an upcoming event. The newspaperman makes it quite clear that he hates motorcycles and everything connected with them but grudgingly accepts the ad. Lintott cracks a joke about spectral monks. That evening, Marsh is late for a dinner attended by his mother, Plack and Mary. Mrs Marsh and Plack begin to suspect that Gerry is two- timing Mary and appear to have their worst fears confirmed by overhearing a telephone the reporter makes. In fact it turns out that he has bought a brand new motorcycle and had been spending a lot of time recently looking for the right one. Despite the protestations of both their parents, Mayr and Gerry ride off together to follow up the story about the monk. Arriving at the Brockham Arms they find George Amble regaling the new owner of Brockham Manor, Bremmer, and his niece Karen, about his encounter in the castle ruins. So what 'The Black Rider' is technically about is Jerry uncovering a smuggling racket. We watch as he finds the story of the black rider intriguing, stakes out the. A squaddie standing at the bar tells Gerry and Mary that George is talking nonsense and probably heard the sound of work being carried out at a nearby experimental tank testing facility, although he admits that they do not carry out their duties at night. Eventually Bremmer and his companion make their excuses and leave. George decides to talk to the witness himself and buys drink for the purpose. Outside in his car Bremmer believes that no- one really takes the drunk seriously and that their activities can continue. However, additional precautions should be taken…Review. In fact, despite its macabre trimmings, the tone for The Black Rider is set early on by composer Wilfred Burns (The Strange World of Planet X 1. The settings for the picture, a small seaside community somewhere on England. Here life revolves around a few well- established institutions such as the local library, the public house and the weekly newspaper. The place of Lord of the Manor has also remain unchanged after centuries with the new occupant of Brockham Manor, Bremmer, being immediately accepted by the locals, even though he is not from anywhere near the area and has just moved in. In a sign of how much esteem the town. Previously, the cargoes imported illicitly by smugglers consisted of alcohol and tobacco. The Black Rider Year 1954 Running Time 65 min. Country United Kingdom Director Wolf Rilla Screenwriter. Black Rider / Glad Tidings; Shopping Basket . Colour Mode Black and White. Audio Dolby Digital Mono. Streaming resources for Wolf Rilla The Black Rider. Links to watch this UK Crime, Thriller Movie online. More recent excursions had involved diamonds and drugs. The route used by those involved in the trade, however, remained consistent, utilising isolated coves, overland paths and secret passageways. Apparently there are only two concessions to the post- war era the film is set in. The first is the presence of an experimental tank testing unit which is located near Swanhaven. However, this appears to be largely ignored by the populace and the only representative from the facility shown onscreen is a lowly corporal (Frank Taylor) seen drinking in the pub. The second is the creation of a motorcycle club headed by Vincent Ball (Corridors of Blood 1. This is treated with the utmost suspicion by the newspaper proprietor (Leslie Dwyer) and the hero. Rawlinson (here also acting as a producer for his short- lived Balblair production company) had something of an eclectic career since entering the film industry at the star of the 1. Among those he worked with over years were figures such as Alfred Hitchcock, Tod Slaughter (Sexton Blake and the Hooded Terror 1. Douglas Fairbanks Jr. Rawlinson also worked on the screenplay of Thorold Dickinson. By the 1. 95. 0s his output consisted largely of quota fillers and potboilers (based at Nettlefold Studios in Walton- upon- Thames), usually in the thriller genre, when he was not toiling away on episodic television. The Black Rider, the air of cosiness inherent in the film. So familiar is the material from these quintessentially English sources that some viewers may find it disconcerting that the venture is in fact populated entirely by adults. While the story and its backdrop may be considered mundane to many viewers, Wolf Rilla. This is usually attributed the fact that these movies offered more substantial roles to the support and bit part players who littered efforts from the big studios like J. Arthur Rank and Associated British. The Black Rider is a good example of this. Of particular note here is Lionel Jeffries (The Revenge of Frankenstein 1. Although only in his late 2. Jeffries already looks much older than his years and effortlessly brings to the role the gravitas it requires. Employing a surprisingly resonant speaking voice along with clipped speech patterns, his cool demeanour is such that he easily commands respect from both his cohorts and those locals he encounters. Jeffries also succeeds in making A. R. 1. 96. 1) as the comic town drunk who first encounters the sinister monk, Leslie Dwyer (Monster of Terror 1. Valerie Hanson (later a television director) as Jeffries striking- looking niece/accomplice. Although she is reduced to the status of a mere damsel- in- distress in the plot. Extra value is added by the appearance of a delightful collection of eccentric minor characters such as the harassed dad (Peter Swanwick, Circus of Horrors 1. Edie Martin, Meet Mr Lucifer 1. Star Jimmy Hanley was a familiar second lead and supporting actor in a number of major British films of the 1. Basil Dearden. In The Black Rider he makes for a rather bland, constantly upbeat leading man. Hanley really came into his own from the late . Overall, however, the real creative force behind this production belongs to its director Wolf Rilla. Rilla, the son of German . He moved into feature films in the 1. Group 3 production house) was generally considered to be of a distinctly minor nature However, his efforts did attract enough critical attention to land him a contract with MGM- British by the end of the decade. Among the projects he was involved there is the genre classic Village of the Damned (1. Based on the John Wyndham. The use of deep- focus adds considerable lustre to the picture. This is a surprisingly stylish piece of filmmaking overall. Most importantly, Rilla succeeds in keeping the narrative moving at a brisk pace. At a time when low- budget British productions remained resolutely studio- bound, The Black Rider features a refreshing amount of exterior footage. Among the lengthiest sequences occurring outdoors an obstacle course at fete that takes on an almost newsreel- like quality and an endurance race across the downs by members of the motorcycle club. While many of these sequences appear to have been shot in or near Walton- upon- Thames, where Nettlefold Studios were based, a number do appear to have been filmed much further afield on the South coast. Also featured is some rather good day- for- night process work. For some viewers, the real joys of watching Wolf Rilla. These include such well- known marques as Triumph and BSA along with a variety of motor scooters and mopeds. The appearance of these machines has virtually guaranteed the movie cult success, its other elements not withstanding. While the more macabre elements contained in the production are kept to a minimum, and indeed are red herrings, The Black Rider does occasionally veer off into darker areas. Employing a subjective camera and suddenly bombastic piece of music from Wilfred Burns, the encounter between Kenneth Connor and the monk in the castle ruins still proves startlingly effective even after some fifty years. All the sequences, in fact, shot within the confines of Brockham Castle are in fact very atmospherically shot thanks to moody lighting, unusual compositions and a roving camera. The castle set itself, created by art director John Stoll (The Collector 1. Gothic use of. It is unfortunate that Rilla never made a foray into the horror genre. An additional frisson is added by the appearance of the hooded motorcycle riding across the moonlit hills near Swanhaven, sometimes seen against a glowering, cloudy sky. A tangential science fiction element is introduced with the main reason the smuggler. It transpires that a new generation of miniature atomic weapon has been developed by some foreign power and which can be remotely detonated from some distance away. To this end, the parts have been smuggled into the country piece by piece and assembled by Valerie Hanson who is revealed to be a nuclear scientist.
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